Severance season 3: The camera equipment that could shape this incredible show
As the anticipation builds for the third season of Apple TV+'s Severance, the show's distinct visual style still remains a key point of interest for the fans. While official production details for Severance Season 3 are still coming out the woodwork, information from the first two seasons and statements from the creative team provide insight into the likely camera equipment that will continue to define the show's original cinematic look.
Sony Venice 2 and FX3
Severance Season 1 as well as Season 2 were shot primarily on a Sony Venice 2 camera system. Cinematographer Jessica Lee Gagné had confirmed the use of the Venice as the A-camera, which is valued for its color science and ability to create a visually rich image. For more specialized or dynamic shots, particularly those requiring a smaller footprint, the production has also utilized cameras like the Sony FX3 on gimbals. This was notably the case in Season 2's complex and lengthy hallway sequences.
Panavision lenses and visual style
To achieve the show's distinct, '70s-inspired aesthetic, the camera bodies were paired with Panavision C Series anamorphic lenses. Gagné had spoken about her preference for these vintage lenses, which provide a wide aspect ratio and unique optical characteristics, including subtle lens flares and a specific oval bokeh that contributes to the show's unsettling, cinematic feel. In addition, Panavision Primo 70 lenses and the 19-90mm Panavision zoom lens have been used for specific scenes, such as the now-iconic "dolly zoom" effect.
The dolly zoom effect
This dolly zoom, used to visually represent the innie/outie transition, is a complex shot that combines a physical dolly move with a synchronized zoom on the lens. According to sources, this process is automated using Kuper motion control software that calculates the zoom based on the camera's manual forward or backward motion.
Filming for flashback sequences
For certain flashback sequences in the series, the production has employed actual film to create a different texture and grain. These scenes have been shot on 35mm film (2-perf Techniscope) and 16mm film, providing a stark visual contrast to the digital capture of the primary narrative.
Ben Stiller’s role in Severance Season 3
While executive producer Ben Stiller has been a key creative force and director for much of the series' first two seasons, he has confirmed he will not be directing any episodes of Season 3 due to other commitments. He will, however, remain involved in a producing capacity, collaborating with showrunner Dan Erickson to maintain the show's original vision.
Production timeline
As of late 2025, an official production start date for Season 3 has not been publicly announced, though Apple TV+ executives have indicated that they are working to avoid the three-year gap that occurred between Seasons 1 and 2.
Source(s)
Personal impressions from watching seasons 1 & 2
Newsshooter: Behind the Scenes: Severance with DP Jessica Lee Gagne
PetaPixel: The Clever Camera Effect Used on 'Severance' When Outies Becomes Innies
